Posts Tagged “Photo Series”

Here comes the second part of my Quadrants photo series is from Sydney, Australia. For a description of the project, please have a look at the last post. Basically, I take black and white photos of skyscrapers from a special, vertical perspective to point out the order in urban planning from a human point of view. Up to now I have done this architecture photography in two big cities, Frankfurt in Germany and Sydney in Australia.

Compared to the pictures taken in Frankfurt, one problem becomes obvious: the Frankfurt photos have been produced on a day with completely blue sky. While the weather in Australia used to be fine, too, the sky does show some clouds. I used a dark red filter to darken the blue sky, giving me a contrast between the sun-lit facades of the buildings and the space in between. Unfortunately, this also increases the contrast between the clouds and the sky. That way in many pictures the sky is not as empty as in the Frankfurt shots, which makes the black and white photographs a bit more visually disturbed.  A professional Artist might have wanted to wait for better conditions. But as that was not possible for me, I have to take what I got. And I am happy with several of them.

For now, these two cities are the only ones where I worked on this series. I would very much like to continue it in Paris, the La Defence area should be perfect for this concept.

Black and white architecture photo shot in Sydney, Austraila. Skyscrapers photographed from below.

Urbane schwarz-weiss Fotografie aus Sydney, Australien. Die Bilder der Fotoserie Quadranten zeigen Wolkenkratzer, die senkrecht von unten fotografiert wurden.

Black and white architecture photo shot in Sydney, Austraila. Skyscrapers photographed from below.

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This time, I will not only present and discuss one photo. No, you can enjoy a bunch of them at the same time. The reasons for this are manifold, but the crucial factor was that Marc from Take Out Photo announced his new Monthly Special: Concept.

After I have already missed last month’s special on masking (even though I did use masks for my faked UFO photos), I better participate early this month. The topic Concept is great. I prefer these more abstract ideas over technical processes. Furthermore, working in a conceptual manner is what makes a photographer an artist. There are way too many people out in the web who chase after ‘the perfect shot’. But in my opinion, true beauty lies in a series of pictures that are build around a concept. Only then they can communicate s meaning in the spaces between the individual shots. The interplay of pictures activates our mind, making us wonder: what is the reason to take these photos, why in this way, what is the motivation … what is the concept?

By now most of you know my Touristscopes series, which is highly conceptual. I don’t want to bore you with them again. Luckily for me (and you), I am currently going through my stacks of negatives, putting together a portfolio. It will feature some of my conceptual photographic works. I will create a webpage with them, where I can present several series, instead on focussing on single photos. But that will take a lot more time to finish. In the meantime I start by presenting my newest conceptual series. It is called ‘Quadrants’ (that might change in the future). Before I go on, explaining my motivation and, yes, the concept, I guess it is best to show you some pictures first.

Black and white architecture photo from the Quadrants series showing the urban structure by photographing the square patterns imposed onto the city by skyskrapers

Black and white architecture photo from the Quadrants series showing the urban structure by photographing the square patterns imposed onto the city by skyskrapers

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As some of you might remember, I have this ongoing photo-series project: I take pictures of coin-operated binoculars and public pay-telescopes. As I don’t know of any proper name for them, I coined the term ‘Touristscopes‘. They fascinate me because of their appearance: they resemble faces, robot-like. The effect is called pareidolia. It is a human habit to recognize a face in the strangest things.

When I was in France last summer, in Normandy to be precise, I was able to collect some more touristscope photos. I used to shot them in a very standardized manner, filling the frame like head-on portraits. I always use the same 24mm lens and preferably a 100 ISO black and white film. The touristscope-types do not vary a lot, there seem to be three major models in France, which I have seen in Germany, too. That’s why I decidetd to also take pictures of the surrounding, the context of the touristscopes, in the future.

Below, I present you five of the touristscopes from Normandy. I choose to show them as a list, because that was the January Monthly Special: Lists at Take Out Photo. Finally, I managed to participate in a monthly challenge again. :-)

Arromanches-les-Bains (overlooking the beach where the allied invasion landed on D-Day. Arromanches was where the allies build a temporary harbour to offload supplies for the troops.):

Black and white photo of a touristscope overlooking Arromanches le Bain in Normandy, France.

Black and white photo of a touristscope overlooking Arromanches le Bain in Normandy, France.

In Arromanches, too. Note the similar posture of the tourists :-) :

Black and white photo of a touristscope overlooking Arromanches le Bain in Normandy, France. This photo includes the surrounding and some visiting tourists.

Black and white photo of a touristscope overlooking Arromanches le Bain in Normandy, France.

Fecamp:

Black and white photo of a touristscope overlooking the beach of Fecamp in Normandy, France.

Le Havre:

Black and white photo of a touristscope obove the harbour of Le Havre in Normandy, France.

Villers-Sur-Mer (Situated right next to the Greenwich Meridian, obviously.) :

Black and white photo of a touristscope on the Greenwich Meridian looking at the beach of Villers Sur Mer in Normandy, France.

Black and white photo of a touristscope looking at the beach of Villers Sur Mer in Normandy, France.

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A house deserted after the tourist-season in brittany, france. The view in this black and white photo goes along an empty street of a town used only for vaccations.

This is one of my favorite photos in my series on vacant tourist spots and towns. I did most black and white pictures of this series last year, at the end of summer. They are all shot on my preferred black and white film, the Fuji Neopan Acros 100, to be precise.  I was in northern Brittany (France) and was fascinated by the sight of these empty streets, closed shops and left-alone vacation-homes.

I like it because the house is not shown as prominent as in the two shots before, but it is still clearly visible that there are no people living there in this time of the year. This impression of emptiness is supported by the wide, empty curved street in the foreground. In addition to this, the straight, also empty street in the middle attracts and guides the viewers eyes into the human-less distance. The cloudy sky luckily had a brighter spot which lies behind an over the house, emphasizing it and breaking the gloomy atmosphere. this light spot is contrasted by the darker trees on the left.

All in all I like the picture because it expresses the feelings I had at this place and also allows the viewer to stroll around with his/her eyes in this deserted town, just as I did with my feet.

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Empty houses in Brittany, France, after the end of the tourist season. Their windows are closed, the tourists have left and the region is waiting for the next summer vacations.

Very similar to the photo-post before, I must admit. But that is the nature of a series.

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Empty houses in Brittany, France, after the end of the tourist season. Their windows are closed, the tourists have left and the region is wating for the next sumer vacations.

After the tourists have left, the empty houses are shuttered, standing lonely besides each other. The lively, noisy summer is gone and now the houses have their vacations.

I have to finish presenting this series. There still are about ten pictures to come, and my archive is going to burst at the seams. I have the dim feeling that the blog might not be the best place to exhibit my photography. It is perfect for presenting individual pictures, as I can take the time and write about a single one in detail. But for showing coherent series of pictures some sort of gallery page would be better.

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Grill, Pizzeria, Moulerie, a closed tourist-restaurant in Brittany, France is for sale (a verndre), after the main season. This black and white photography shows the empty, fake timber-frame house with abadoned shop in front of a gray sky.

Let’s go on with the series of abandoned houses in Brittany, France, after the tourists left at the end of the season. This black and white photo shows a closed restaurant, which is for sale (the signs in the windows say ‘a vendre’). It looks like a typical tourist-eatery: Grill, Pizzeria, Moulerie; with a fake timber-framed construction in a town that is deserted once the summer is over and the sky becomes grey. I wonder what is the story behind this house. What where the happy and the bad days, what dreams where dreamed and abandoned? My feeling tells me that barred houses live in the past. They are a sign for bygone days and, until they are open again, have no future.

Speaking of the past: Two days ago I met my old kindergarten teacher, by chance as I had to organize some things at my hometown. I would not have recognized her (neither would she remember me), but my father introduced us. It is strange to go back with your thoughts over so many years, but somehow it is kind of appropriate now that I finished my degree. It shows me from where I came to arrive where I now am. Interesting how many thought this short conversation kicked off in me. It was difficult to explain what I am going to do now as my PhD. I have to come up with some simple description. You learn how to explain your work in precise scientific words, but when you talk to people who are not in your field you feel like a idiot and can’t get to the point.

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Black and white triptych of the abbaye jumieges in Normandy, France.

Just a quick update, so I can participate in the August Monthly Special at Take Out Photo: Triptych.

The wedding was wonderful, everything is fine and we are exhausted from organizing and having party. More about this in some days or weeks. Oh, and we are waiting for the photos. As expected we did not have the time to take some on our own. :-)

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Black and white film photography of a big building in a tourist town in northern Brittany (France) at the side of a big empty square. The building is deserted, the windows are shut and all the small tourist shops have closed as it is after the season.

How does inspiration work? I don’t know how this is with you, but for me it is a rather mysterious process. You have to come across the right mixture of contemplation and new experiences. But there has to be more to it, sometimes we simply see something in a new way which might trigger an idea. That usually is not the case while we follow our daily routines, at least not when they include the usual, hectic lack-of-time-stance most people follow. I think it is necessary to stop for a moment, take a step to the side and forget about the problems we have not solved yet.

How does this correspond to above picture, you might ask. Well, the scene depicted in the photo inspired me to the “Brittany after the season”-series, I think. It was in northern Brittany, in a small tourist-town called Sables d’Or les Pines. The tourist season was over already and so we walked by many houses with shut windows. Itwas a bit frustrated that there was nothing interesting to shoot, wherever I pointed my lens, the picture newer felt “right”. Then we arrived at this wide square, between the beach and this big building. It was similar to the many individual houses, all windows where covered, the shops were closed, too. This concentration of the scenes before was what I needed to be inspired. Not singular houses, that are side by side but still separated, but this big building with lots of apartments and tourist shops that all were unused, the big square in front deserted. This center of a little town, without any human life except us. I suddenly saw the bigger picture, that all those places where people had enjoyed their summer vacations were abandoned for the rest of the year. This gave a deeper sense to pictures of shut-down shops and deserted houses. I felt I had found what I was looking for. Except that I first had to find it to know what I was missing.

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Table tennis table in the rain, the sky and some trees are reflected by the wet plate, as is the net in the middle.

Black and white shot from Brittany again, from the same playground but now after a downpour. The  table, wet from rain, reflects the sky and table tennis net.

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